Download PDF Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community

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Most helpful customer reviews on Amazon. The collection includes essays on adaptations of her works, on film, television, and radio, and the tourist industry in the places where she lived, including the Jane Austen Centre in Bath. According to the author of this particular essay, the Jane Austen Centre seems to be aimed more at fans of the adaptations than at fans of her novels.

Some of the most fascinating essays, at least to me, examined the appreciation of Austen in the non-English speaking world, including France, China, India, and Turkey. In France, Austen has long been regarded as only a minor author of light romances for young women.

Global Jane Austen : pleasure, passion, and possessiveness in the Jane Austen community

But her reputation there is based on old, inaccurate translations of her works, which miss her irony. The situation is similar in Turkey, but recent translations, and a biography, have gone a long way toward improving her reputation. Still, the translators feel a need to point out to the readers when Austen is being ironic, instead of letting the readers figure it out for themselves.


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The book ends with an interview with two authors of Austen-based fiction: Global Jane Austen is a treat for lovers of Jane Austen. Get to Know Us. Delivery and Returns see our delivery rates and policies thinking of returning an item? Showing of 2 reviews.

Global Jane Austen Pleasure, Passion, and Possessiveness in the Jane Austen Community

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The collection includes essays on adaptations of her works, on film, television, and radio, and the tourist industry in the places where she lived, including the Jane Austen Centre in Bath. According to the author of this particular essay, the Jane Austen Centre seems to be aimed more at fans of the adaptations than at fans of her novels.

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Some of the most fascinating essays, at least to me, examined the appreciation of Austen in the non-English speaking world, including France, China, India, and Turkey. In France, Austen has long been regarded as only a minor author of light romances for young women. But her reputation there is based on old, inaccurate translations of her works, which miss her irony. The situation is similar in Turkey, but recent translations, and a biography, have gone a long way toward improving her reputation.

Still, the translators feel a need to point out to the readers when Austen is being ironic, instead of letting the readers figure it out for themselves. The book ends with an interview with two authors of Austen-based fiction: Global Jane Austen is a treat for lovers of Jane Austen. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway.

Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen - Google Книги

Set up a giveaway. There's a problem loading this menu right now. The Following is an extended and modified version of the essay that will appear in the anthology, to be published by PalgraveMacMillan Kenneth A. Hunt suggests that television has not only provided a means of democratizing history and knowledge through a combination of popular imagery and cohesive narratives, but has changed the types of history we now watch, dispensing largely though not entirely with grand nation narratives in favor of special interest subject matter.

Such programs serve to bridge the gulf between academic research and general viewers. Not only is the adoration of Austen personal and global, but so too are the means by which knowledge of Austen is conveyed. Chief amongst these global forms has been the novel itself, but more recent examples of global networks has been transnational fan-based on-line communities.


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Her style also illuminates issues that have been raised by other academics in relation to popular history on television and to a seemingly gendered polarization of knowledge. It is a trend that may possibly reflect the ways in which history is now consumed in more personal and intimate ways; hence they are re- constructed as ordinary people wanting to find out information, rather than narrators communicating information to viewers in the same vein as Simon Schama As a result, female Historians per se, are less likely to assume authoritative roles, or carry grand narrative history programs in the same vein as say Starky or Schama.