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In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness.

#ReadHarder: Read a Short Story Collection

Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play. In these stories, Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know. In the hands of master storyteller Everett, the act of questioning leads to vistas more strange and unsettling than could ever have been expected. In July of , in Hardin County, Ohio, a boy sees ghosts.

A teenage runaway and her mute brother seek salvation in houses, buses, the backseats of cars. Preteen girls dial up the ghosts of fat girls. A crew of bomber pilots addresses the ash of villagers below. A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town.

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Crime is a motif—sex crimes, a possible murder, crimes of the heart. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. Amy Gustine exhibits an extraordinary generosity toward her characters, instilling them with a thriving, vivid presence.

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She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. Tied to their ancestral and adopted homelands in ways unimaginable in generations past, these memorable characters straddle both worlds but belong to none. These stories shine a light on immigrant families navigating a new America, straddling cultures and continents, veering between dream and disappointment.

In this down and dirty debut she draws vivid portraits of bad people in worse places…A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read. Some readers noticed his nimble blending of humor with painful truths reminded them of George Saunders. But with his new collection, Jodzio creates a class of his own. Here they enter the worlds of sisters and brothers, fathers and mothers, daughters and sons, friends and lovers.

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With self-assurance and sensuality, April Ayers Lawson unravels the intertwining imperatives of intimacy—sex and love, violation and trust, spirituality and desire—eyeing, unblinkingly, what happens when we succumb to temptation. Le Guin has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. But as fantastical as these stories can be, they are always grounded by sly humor and an innate generosity of feeling for the frailty—and the hidden strengths—of human beings.

From one of the greatest modern writers, these stories, gathered from the nine collections published during her lifetime, follow an unbroken time line of success as a writer, from her adolescence to her death bed. The award-winning narratives in this mesmerizing debut trace the lives of ex-pats, artists, and outsiders as they seek to find their place in the world. Straddling the border between civilization and the wild, they all struggle to make sense of their loneliness and longings in the stark and often isolating enclaves they call home—golden fields and white-veiled woods, dilapidated farmhouses and makeshift trailers, icy rivers and still lakes rouse the imagination, tether the heart, and inhabit the soul.

While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. Her characters are a strange ensemble—a feral child, a girl raised from the dead, a possible pedophile—who share in vulnerability and heartache, but maintain an unremitting will to survive. Meijer deals in desire and sex, femininity and masculinity, family and girlhood, crafting a landscape of appetites threatening to self-destruct. In beautifully restrained and exacting prose, she sets the marginalized free to roam her pages and burn our assumptions to the ground.

Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields—and fields of victory—that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship.

Like George Saunders, Karen Russell, and David Mitchell, he pulls from a variety of genres with equal facility, employing the fantastic not to escape from reality but instead to interrogate it in provocative, unexpected ways. It is her miraculous gift to make these stories as real and unforgettable as our own. In works that are as memorable, engrossing, and exciting as they are gorgeously crafted, Neugeboren delivers on his reputation as one of our pre-eminent American writers.

From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration.

Gordo, the old Cubano that watches over the graveyards and sleeping children of Brooklyn, stirs and lights another Malaguena. It introduces us to an arresting and unforgettable new voice. Spanning four decades and three prize-winning collections, these twenty-one vintage selected stories and thirteen scintillating new ones take us around the world, from Jerusalem to Central America, from tsarist Russia to London during the Blitz, from central Europe to Manhattan, and from the Maine coast to Godolphin, Massachusetts, a fictional suburb of Boston.

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These charged locales, and the lives of the endlessly varied characters within them, are evoked with a tenderness and incisiveness found in only our most observant seers. These fifteen linked tales confront readers with fractured marriages, mercurial temptations, and dark theological complexities, and establish a sultry and enticingly cool new voice in American fiction. She is currently seeking an agent for her novel, Emma Jean's Bad Behavior.

Along with fiction and creative nonfiction, Charlotte will be a mentor in the new Blogging writing track at The Loft. She is principal founder and curator of Poetry in the Boro, a monthly reading and open mic series for poetry and spoken word. After many years as a software developer, she now writes and works as an advocate for the arts, literacy, democracy, afternoon naps, and other good causes.


She has studied in workshops and privately with numerous poets and has been a writer-in-residence at Rivendell Writers Colony. Linda Busby Parker is the author of two novels: In addition, she has published two university-level textbooks. Linda is also publisher and editor-in-chief of a small independent press, Excalibur Press, which publishes literary and upmarket fiction.

She teaches creative writing at the University of South Alabama and serves as a mentor in a low-residency writing program at Middle Tennessee State University. Linda has given readings and workshops on the craft of writing at numerous venues across the southeast.

He works with creatives one on one and leads workshops and retreats. A self-described lifestyle photographer, his portfolio includes street, landscape, and travel photography and his current traveling exhibit features work from Italy plus has work currently being exhibited in a show in Springfield, Tennessee. He photos have accompanied pieces in various journals, newspapers, and magazines and sold to individuals.

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He is also a labyrinth facilitator and leads workshop on using the labyrinth as both a spiritual and creative tool. He has had two pieces nominated for the Pushcart Prize. You can find more of his work and how to work with Terry at www. Her short stories have been published in literary magazines including Eureka, Stickman Review, Riverwalk Journal and the anthology, Catch Fire in the Treetops.

She has written non-fiction for About. She lives in Franklin where she is owned by her dogs. Lumpkin spent the first sixteen years of his life in Delta, an unincorporated community in east Alabama of less than two hundred inhabitants. He attended the University of the South—the first member of his family to attend college—where he was also fortunate enough to participate in one of the few creative writing workshops led by late author William Gay.

After graduating with a B. He is a lecturer in the English Department at Middle Tennessee State University and a facilitator of the creative writing workshop on Unit 2—the death row unit—at Riverbend Maximum Security Penitentiary. He has optioned a screenplay, been a Coverage Editor, taught at various conferences and schools from Hawaii to Virginia, been a script judge for several contests, written documentaries and training films for a production studio in Virginia, had published two award winning books on screenwriting, and won several national screenwriting contests.

He has also sold many articles to national magazines, and published several short stories.