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Thread Sentence Examples

He picked at a thread on the couch, his mind obviously lost in deep thought. She looked away and fumbled with the needle and thread she'd found in a sewing kit. He was the eldest of a family of six sons and a daughter, and the only one who survived childhood; his own life in youth hung by so mere a thread as to be again and again despaired of. The chromatin substance increases in amount; the thread stains moie deeply, and in most cases presents a homogeneous appearance. Such an independent coenocytic branch or cell- thread is called a hypha.

Some amongst them Tergipes, Eolis are also remarkable for possessing peculiarly modified cells placed in sacs cnidosacs at the apices of these same papillae, which resemble the " thread-cells " of the Coelentera. And again he twisted the screw with the stripped thread , and again it turned uselessly in the same place. This quarrel was interwoven with the general thread of the Thirty Years' War, and was not finally settled until , when the disputed territory was divided between the two claimants.

I almost dreaded returning to the motel where awaited what I saw as the last thread of hope. She absently plucked at a thread on the hem of her skirt, avoiding his eager gaze. It is the principal seat of the linen trade in the county, and has extensive cloth and thread factories, bleachfields and chemical works.

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While importation of raw cotton increases importations of cotton thread and of cotton stuffs have rapidly decreased. A large nematocyst, with everted thread , is seen in the right-hand ectodermal cell. The loom became semi-automatic in with Kenworthy and Bulloughs Lancashire Loom. The various innovations took weaving from a home-based artisan activity labour-intensive and man-powered to steam driven factories process. Most power weaving took place in weaving sheds, in small towns circling Greater Manchester away from the cotton spinning area.

The earlier combination mills where spinning and weaving took place in adjacent buildings became rarer. Wool and worsted weaving took place in West Yorkshire and particular Bradford , here there were large factories such as Lister's or Drummond's, where all the processes took place. Woven 'grey cloth' was then sent to the finishers where it was bleached, dyed and printed. Natural dyes were originally used, with synthetic dyes coming in the second half of the 19th century.

The need for these chemicals was an important factor in the development of the chemical industry. The invention in France of the Jacquard loom in about , enabled complicated patterned cloths to be woven, by using punched cards to determine which threads of coloured yarn should appear on the upper side of the cloth. The jacquard allowed individual control of each warp thread, row by row without repeating, so very complex patterns were suddenly feasible. Samples exist showing calligraphy, and woven copies of engravings. Jacquards could be attached to handlooms or powerlooms. A distinction can be made between the role and lifestyle and status of a handloom weaver, and that of the powerloom weaver and craft weaver.

Weaving Quotes

The perceived threat of the power loom led to disquiet and industrial unrest. Well known protests movements such as the Luddites and the Chartists had hand loom weavers amongst their leaders. In the early 19th century power weaving became viable. Richard Guest in made a comparison of the productivity of power and hand loom weavers:. A very good Hand Weaver, a man twenty-five or thirty years of age, will weave two pieces of nine-eighths shirting per week, each twenty-four yards long, and containing one hundred and five shoots of weft in an inch, the reed of the cloth being a forty-four, Bolton count, and the warp and weft forty hanks to the pound, A Steam Loom Weaver, fifteen years of age, will in the same time weave seven similar pieces.

Hand loom weavers were mainly men — due to the strength needed to batten. The women of the house would spin the thread they needed, and attend to finishing. Later women took to weaving, they obtained their thread from the spinning mill , and working as outworkers on a piecework contract. Over time competition from the power looms drove down the piece rate and they existed in increasing poverty.

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Power loom workers were usually girls and young women. They had the security of fixed hours, and except in times of hardship, such as in the cotton famine , regular income. They were paid a wage and a piece work bonus. Even when working in a combined mill, weavers stuck together and enjoyed a tight-knit community. They were assisted by 'little tenters', children on a fixed wage who ran errands and did small tasks.

They learnt the job of the weaver by watching. He would inevitably be a man, as were usually the overlookers. The mill had its health and safety issues, there was a reason why the women tied their hair back with scarves.

Warp and weft - Wikipedia

Inhaling cotton dust caused lung problems, and the noise was causing total hearing loss. Weavers would mee-maw [41] [42] as normal conversation was impossible. Weavers used to 'kiss the shutttle' that is suck thread though the eye of the shuttle- this left a foul taste in the mouth due to the oil which was also carcinogenic.

Arts and Crafts was an international design philosophy that originated in England [44] and flourished between and especially the second half of that period , continuing its influence until the s. Hand weaving was highly regard and taken up as a decorative art. In the s the weaving workshop of the Bauhaus design school in Germany aimed to raise weaving, previously seen as a craft, to a fine art, and also to investigate the industrial requirements of modern weaving and fabrics.

Colonial America relied heavily on Great Britain for manufactured goods of all kinds. British policy was to encourage the production of raw materials in colonies and discourage manufacturing. The Wool Act restricted the export of colonial wool. The colonists also used wool, cotton and flax linen for weaving, though hemp could be made into serviceable canvas and heavy cloth.

They could get one cotton crop each year; until the invention of the cotton gin it was a labour-intensive process to separate the seeds from the fibres. A plain weave was preferred as the added skill and time required to make more complex weaves kept them from common use. Sometimes designs were woven into the fabric but most were added after weaving using wood block prints or embroidery. Textile weaving, using cotton dyed with pigments, was a dominant craft among pre-contact tribes of the American southwest, including various Pueblo peoples, the Zuni , and the Ute tribes. The first Spaniards to visit the region wrote about seeing Navajo blankets.

With the introduction of Navajo-Churro sheep , the resulting woolen products have become very well known. By the 18th century the Navajo had begun to import yarn with their favorite color , Bayeta red. Using an upright loom, the Navajos wove blankets worn as garments and then rugs after the s for trade. Navajo traded for commercial wool, such as Germantown, imported from Pennsylvania. Moore , Oriental and Persian styles almost always with natural dyes , "Wide Ruins," "Chinlee," banded geometric patterns, "Klagetoh," diamond type patterns, "Red Mesa " and bold diamond patterns.

Aguaje palm-bast Mauritia flexuosa, Mauritia minor, or swamp palm and the frond spears of the Chambira palm Astrocaryum chambira , A. Among the Urarina , the production of woven palm-fiber goods is imbued with varying degrees of an aesthetic attitude, which draws its authentication from referencing the Urarina's primordial past. The post- diluvial creation myth accords women's weaving knowledge a pivotal role in Urarina social reproduction. The circulation of palm-fiber wealth stabilizes a host of social relationships, ranging from marriage and fictive kinship compadrazco , spiritual compeership to perpetuating relationships with the deceased.

The Nvidia Parallel Thread Execution ISA derives some terminology specifically the term Warp to refer to a group of concurrent processing threads from historical weaving traditions. Weaving was an art practised in very early times Ex The Egyptians were specially skilled in it Isa In the wilderness, the Hebrews practised weaving Ex It is referred to subsequently as specially the women's work 2 Kings No mention of the loom is found in Scripture, but we read of the "shuttle" Job 7: The rendering, "with pining sickness," in Isa.

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Weaving with a backstrap loom in the Himalayas - 1993

This article is about textile weaving. For other uses, see Weaving disambiguation.

Loom and Power Loom. Textile arts of indigenous peoples of the Americas and Andean textiles. Textile manufacture during the Industrial Revolution. Retrieved 31 October Geib, Phil R, and Adovasio, J. Archived from the original PDF on It is right up front, and it drives the film. Phantom Thread is in this way almost closer to some form of opera.

And there is a lot of music—almost ninety minutes of score in a film just over two hours. The sound is the texture of the film. The different timbres are like different fabrics; the viola feels different from the piano in the same way linen feels different from silk. The sound design in Phantom Thread is nearly as central as the music.