Alpine Champagne: Die Fledermaus at the Teatro alla Scala
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You're covered by the eBay Money Back Guarantee if you receive an item that is not as described in the listing. Sets Heike Scheele ranged from a mountain villa, to a palatial party, to a dark prison, looked good and allowed the cast just the framework they needed to allow the narrative to take its course.
That said, the audience found it absolutely hilarious, so it may well be that the local humour was lost on me. Obanya was able to call on the acting abilities of a fine group of singing actors.
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The voice has an ease on high that managed to cap the textures nicely in the ensembles and she has a genuine trill. Her two numbers were delivered with wit and grace.
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Her compatriot, Markus Werba, also made for an excellent Falke. His compact baritone had a seemingly limitless top, opening up higher and higher. He was an active stage presence, absolutely tireless moving around the stage. She was wonderfully game to everything asked of her. He also demonstrated some fine comic timing and his native diction was a pleasure to hear. She is also a fabulous actress — her spoken Magyar accent in the party scene was spot on — and she lit up the stage whenever she appeared.
Download Plaza — Search — Prinzessin Fledermaus (German Edition)
In the Czardas, the higher reaches opened up nicely and she turned the corners splendidly. Berrugi was a terrific Alfred — with a winning sense of humour, wishing to engage in the parody of the Italian tenor. His is a warm, generous and handsome voice with genuine ping at the top and he savoured the German text with real charm.
Michael Kraus was somewhat dry of tone as Frank but still has stage presence to spare. Cornelius Meister led a somewhat measured reading, although, as I mentioned above, the afternoon flew by.