Catalog Record: A philosophical inquiry into the origin of | Hathi Trust Digital Library
The E-mail message field is required. Please enter the message. Please verify that you are not a robot. Would you also like to submit a review for this item? You already recently rated this item. Your rating has been recorded. Write a review Rate this item: Preview this item Preview this item.
A philosophical enquiry into the origin of our ideas of the sublime and beautiful. English View all editions and formats Rating: Subjects Burke, Edmund -- -- A philosophical enquiry into the origin of our ideas of the sublime and beautiful Burke, Edmund -- Philosophical enquiry into the origin of our ideas of the sublime and beautiful. View all subjects More like this User lists Similar Items. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Early works Early works to Additional Physical Format: Philosophical enquiry into the origin of our ideas of the sublime and beautiful.
Edmund Burke James T Boulton. Reviews User-contributed reviews Add a review and share your thoughts with other readers. According to Aristotelian physics and metaphysics , causation can be divided into formal, material, efficient and final causes. The formal cause of beauty is the passion of love; the material cause concerns aspects of certain objects such as smallness, smoothness, delicacy, etc.
What is most peculiar and original to Burke's view of beauty is that it cannot be understood by the traditional bases of beauty: The sublime also has a causal structure that is unlike that of beauty. Its formal cause is thus the passion of fear especially the fear of death ; the material cause is equally aspects of certain objects such as vastness, infinity, magnificence, etc. Immanuel Kant critiqued Burke for not understanding the causes of the mental effects that occur in the experience of the beautiful or the sublime.
According to Kant, Burke merely gathered data so that some future thinker could explain them. Open Preview See a Problem? Thanks for telling us about the problem. Return to Book Page. An eloquent and sometimes even erotic book, the Philosophical Enquiry was long dismissed as a piece of mere juvenilia. However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject An eloquent and sometimes even erotic book, the Philosophical Enquiry was long dismissed as a piece of mere juvenilia.
However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today. Published November 19th by Oxford University Press first published To see what your friends thought of this book, please sign up.
To ask other readers questions about A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful , please sign up. Lists with This Book. Aug 23, Bill Kerwin rated it really liked it Shelves: An interesting early essay by the father of modern conservatism on the sublime and beautiful and how they differ. Thoughtful and occasionally entertaining. The 18th century prose--like most 18th century prose--is excellent.
- HE CHEATED ON ME. SHOULD I DIVORCE HIM: A RETIRED LAWYERS ADVICE;
- Navigation menu.
- A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful by Edmund Burke!
Dec 17, John Kulm rated it it was amazing. He must have been quite the extrovert personality type, because he entirely associated the sublime and beautiful with external objects — things for the five senses - and he said nothing about beauty being in the eye of the beholder.
I can remember a time when love woke me up psychologically. When love failed to continue, the sublime aspects of my anguish continued to wake me up psychologically. So, both ends of the spectrum should be embraced: This is where I felt disagreement, because every time he associated the sublime with terror, I wanted to remind myself that sublime is also associated with other things like being impressed, amazed, awe-struck, and even anguished. The contrast makes us want to avoid the sublime.
Modern thought contrasts love with fear, and encourages us to avoid fear, but if we contrast love-as-beauty with terror-as-sublimity, we can see that the sublime has a wonderful place. Burke writes about such things as the awesome-ness of mountains and the darkness of heavy forests as being sublime and terror-striking. I also understand now, from this book, that being awake psychologically can come from beauty — being in love — as much as from the sublime, being anguished and impressed-upon.
It is by the first of these passions that we enter into the concerns of others; that we are moved as they are moved, and are never suffered to be indifferent spectators of almost any thing which men can do or suffer.
For sympathy must be considered as a sort of substitution, by which we are put into the place of another man, and affected in many respects as he is affected; so that this passion may either partake of the nature of those which regard self-preservation, and turning upon pain may be a source of the sublime. For sublime objects are vast in their dimensions, beautiful ones comparatively small; beauty should be smooth, and polished; the great, rugged and negligent; beauty should shun the right line, yet deviate from in insensibly; the great in many cases loves the right line, and when it deviates, it often makes a strong deviation; beauty should not be obscure; the great ought to be dark and gloomy; beauty should be light and delicate; the great ought to be solid, and even massive.
They are indeed ideas of a very different nature, one being founded on pain, the other on pleasure. I observed too, that whatever produces pleasure, is fit to have beauty engrafted on it. Jun 02, The Literary Chick rated it really liked it. An elegant work that expresses in words feelings and emotions that you knew but could never quite articulate.
May 27, David rated it it was ok. As important as John Locke is to philosophy, his influence is sure to lead to the production of books like Burke's work on aesthetics. The reader is warned early at least. Burke proposes to outline aesthetics in scientific fashion because he truly believes its components must fall into line as the dictates of Reason do. Look, Locke's moral science didn't happen. So this ain't happening either.
Think Hume's book on morality. You're not getting any philosophical enquiry. You're getting a handbook. Kant's treatment of the sublime in Critique of Judgment makes any of Burke's attempt on the same useless no big shame, it is Kant, I guess. Burke's idea of beauty runs like a checklist. He only looks at constituents and comments hardly at all on the integration of those parts. Barely anything on the subjective either which is ridiculous in aesthetics The work never goes any deeper. The reader can only hope to hit upon a departure point for his or her own aesthetic reflections at best. Aug 06, Mehmed rated it really liked it.
Some words that come to mind when describing this book are: The title is pretty self-explanatory and the book does what one would anticipate from it. But well into the book, it becomes clear that there must be a larger plot. Edmund Burke lays out our role in society and the way our passions work as in a congr Some words that come to mind when describing this book are: Edmund Burke lays out our role in society and the way our passions work as in a congruence with the divine insertion of the innate capacity to perceive beauty and to be drawn to the Sublime - which is defined as a terrifying, awe-inspiring notion.
The sublime is an experience that is so beyond the experience of the mundane 'beautiful' that it carries us away from the world of images and clarities to the world of feelings and intense emotions. Burke shows that our pleasures for what is beautiful worldly cannot come near the "delight" felt by the sublime unworldly , Godly experience The book has made me contemplate the standards of my taste and made me question the nature of my relationship to the most sublime being, God.
May 09, Joe rated it really liked it. As evident from the title of the book, Burke questions and interprets the Sublime and Beautiful. Namely, how it affects the individual, and possible reasons for the consequent feelings. This latter point, in my opinion, is where Burke starts to think much more as Psychologist, and begins to link the mind-body relationship; for him, they are greatly connected. Part One begins with Burke highlighting the Novelty of life, its decline through life, and the inability for mere Novelty to excite the min As evident from the title of the book, Burke questions and interprets the Sublime and Beautiful.
Part One begins with Burke highlighting the Novelty of life, its decline through life, and the inability for mere Novelty to excite the mind: This continues throughout Part 1, with multiple examples such as Joy and grief.
This includes ideas of pain, sickness and death. In short, it is the passions arising from gratifications and pleasure. This contrasts self-preservation, which arises from pain and danger. Part Two focus on the idea of the Sublime. The prerequisites, previously mentioned, are explained in this chapter.
This lack of, which Burke recognises to cause obscurity, is a key factor in the feeling of the Sublime. The thought of obscurity also plays a vital role in Beauty; but in this case, it is the completeness. A particular prerequisite for the Sublime, which I feel is perhaps one of the most important; Kant will agree, is the idea of Vastness: This is followed by the idea of Infinity: We are deceived in the like manner, if the parts of some large object are so continued to any indefinite number, that the imagination meets no check which may hinder its extending them at pleasure.
In broadest terms, the essentials are: Interestingly, he disagreed with the notion of proportions being a cause of beauty. Using somewhat strange metaphors, such as the proportions seen in vegetables and different species of Birds, he presents that we [humans] do not find universal proportions beautiful, and that they differ with everything we see. Burke also disagrees that the fitness adaptability of an animal causes it to be seen as beautiful.
He presents his rationale by giving examples such as the swine. Having moved away from these factors, he focuses on properties of the object. This is important as he locates the qualities of beauty in the things themselves, rather than the object is beautiful because the perceiver views it to be. One particular example for the effect of Gradual variation on Beauty: Is not this a demonstration of that change of surface, continual, and yet hardly perceptible at any point, which forms one of the great constituents of beauty? Some excerpts from this section: Why visual objects of great dimensions are sublime: So that, though the image of one point should cause but a small tension of this membrane, another, and another, and another stroke, must in their progress cause a very great one, until it arrives at last to the highest degree; and the whole capacity of the eye, vibrating in all its parts, must approach near to the nature of what causes pain, and consequently must produce an idea of the sublime.
His somewhat psychological development into the reasons of the feelings we encounter definitely made it in an interesting read.
Apr 18, Emily rated it it was amazing. The question with this kind of book is: If you are looking for a book that will actually tell you something about the nature of beauty and sublimity, you'll probably find Burke's argument to be dated, strange, somewhat irrelevant, and sometimes unintentionally funny. The best way to approach this book is as a historical document. The Enquiry was an incredibly influential book in British and American aesthetic thought and is probably best studied in The question with this kind of book is: The Enquiry was an incredibly influential book in British and American aesthetic thought and is probably best studied in that light although it fell out of favor for a long time.
The reason why we have such a proliferation of new editions is scholars' renewed interested in it over the past 30 or 40 years.
Burke's main argument can be summed up thus: That is, a vase is beautiful because it physically embodies these particular qualities. The rival school of thought held that beauty is not located in the vase itself, but arises when I perceive it. What Burke has to say about beauty and sublimity per se is probably not very interesting to us, but his way of thinking about it --that is, his answer to the question of whether or not aesthetic qualities inhere in objects--is still very relevant.
Mar 26, Nick rated it liked it Shelves: This was supposed to be a book about aesthetics, but it ended up being a book about Edmund Burke's own little deeply subjective analysis of his own aesthetic tastes and preferences.
A philosophical enquiry into the origin of our ideas of the sublime and beautiful.
Its amazing how little in this can be universalized and yet how confidently it is presented as though hes discussing physics, or even ethics. Don't tell the Japanese! Did you know that sharp angles Uhhhhhhhhhhhhhhhhhhhh whaaaaaaaaaaaaat? Did you know that sharp angles are not as beautiful as curves?
Did you know that dark skin isn't as beautiful as light skin? Yeah, lots of stuff like that in here. Random intuitive leaps about what beauty consists of which seem grossly out of step with what we currently think. Also he makes up a bunch of divisions like "the sublime" and some other distinctions like the horrifying or something. Obviously those are real distinctions, but somewhat arbitrary ones, which is not how he treats them. Aug 30, J. Alfred rated it liked it. Not something I'd read for fun, but I think I'm smarter for having finished it. It is a solid philosophical inquiry into the origin of our ideas of the sublime and beautiful, as you may have been able to guess from its title.
It is apparently a foundational text for the aesthetics of the Romantics, and apparently Burke who knows at least four languages wrote it when he was nineteen, so if you want to feel like your life is passing you by, this is a good one. Feb 24, Ashley rated it really liked it Shelves: An interesting look at what evokes emotions in viewers. If you are into philosophy enough to find this obscure book on your own then you probably would be better off not reading it. It is a very well written, very well thought out work, but at points can be extremely repetitive and short.
There are sections where you would hope that Burke would go into vast detail but he only offer a paragraph or two while there are sections that continue on for pages leaving you to question, "why? I found part five, which dealt with the words very thought intriguing, it however was not worth reading through the other four to obtain.
Part two section two on terror highly quotable as well as all of Part one. Overall I would say if you do find this book and would like to give it a go, Read part one then skip to part five and rest your worry because you are not missing anything. I found the eighteenth century prose a little more turgid than usual although Burke has some good ideas here. Its better than the bitter conservative drivel he later dished out. Oct 11, Nick rated it it was amazing. A very interesting work that attempts to do to aesthetics what Locke tried to do with philosophy.