Want to Read saving…. Want to Read Currently Reading Read. Refresh and try again. Open Preview See a Problem? Thanks for telling us about the problem. Return to Book Page. She was a challenge; a desire he could not resist. For the want and need of her, he would let nothing stand in the way. He would track her across four states, his obsession a blood-red promise she'd be his and no other's. Published August 23rd by Smashwords Edition first published April 1st To see what your friends thought of this book, please sign up.
To ask other readers questions about Taken By The Wind , please sign up. Lists with This Book. Oct 26, Julz rated it liked it Shelves: Not sure if I liked this all that much or not. I just love me some evil guy doing evil things and the heroine being at his mercy. So, yeah, we got some of that here. However, the story was kind of transparent, a little too farfetched and full of holes, and somewhat anticlimatic I think I was just disappointed that it was so easy to guess what was going on and let down that the end was 2.
I think I was just disappointed that it was so easy to guess what was going on and let down that the end was so quickly resolved.
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But if you're in the mood to read about a serial killer chasing a heroine across the country but you don't want to commit yourself to long story, then here you go. Jun 01, Summer rated it really liked it Shelves: A tense thriller which I read in one sitting. It grips you from the start and the build up continues till the end. The ending is Creepy and revealing! Feb 21, HJ rated it really liked it Shelves: As always, Charlotte Boyette-Compo writes a very compelling, tense tale.
This is no exception. Despite the fact that the book had already been 'spoiled' for me, I still couldn't put it down or wait to get to the end. I particularly love how, as a reader, I kept trying to figure 'it' out, with surprising difficulty. May 31, Della Amor rated it liked it Shelves: I was honestly expecting more from this book but since it was a fast read and managed to hold my interest to the very end I'm giving it 3 stars. The twist was pretty predictable and the epilogue was so anticlimactic I had to drop one star from the original 4.
We have a serial killer who's obsessed with a witness that piqued his interest and he proceeds to follow her all across the country leaving a trail of bodies and To my relief, apart from two? Across all releases, it is estimated that Gone with the Wind has sold over million tickets in the United States and Canada ,  generating more theater admissions in that territory than any other film.
The film remains immensely popular with audiences into the 21st century, having been voted the most popular film in two nationwide polls of Americans undertaken by Harris Interactive in , and again in The market research firm surveyed over two thousand U. American Film Institute . In revisiting the film in the s, Arthur Schlesinger noted that Hollywood films generally age well, revealing an unexpected depth or integrity, but in the case of Gone with the Wind time has not treated it kindly.
Sarris concedes that despite its artistic failings, the film does hold a mandate around the world as the "single most beloved entertainment ever produced". The film has featured in several high-profile industry polls: Gone with the Wind has been criticized as having perpetuated Civil War myths and black stereotypes. And, in the background, the black slaves are mostly dutiful and content, clearly incapable of an independent existence. Gone with the Wind and Southern Myths".
Bryan Rommel Ruiz has argued that despite factual inaccuracies in its depiction of the Reconstruction period, Gone with the Wind nevertheless reflects contemporary interpretations that were common in the early 20th century. One such viewpoint is reflected in a brief scene in which Mammy fends off a leering freedman: The inference is taken to be that freedmen are ignorant about politics and unprepared for freedom, unwittingly becoming the tools of corrupt Reconstruction officials. While perpetuating some Lost Cause myths, the film makes concessions in regard to others.
After the attack on Scarlett in the shanty town, a group of men including Scarlett's husband Frank, Rhett Butler and Ashley raid the town; in the novel they belong to the Ku Klux Klan, representing the common trope of protecting the white woman's virtue, but the filmmakers consciously neutralize the presence of the Klan in the film by referring to it only as a "political meeting".
Thomas Cripps reasons that the film in some respects undercuts racial stereotypes;  in particular, the film created greater engagement between Hollywood and black audiences,  with dozens of movies making small gestures in recognition of the emerging trend. More than any film since The Birth of a Nation , it unleashed a variety of social forces that foreshadowed an alliance of white liberals and blacks who encouraged the expectation that blacks would one day achieve equality.
According to Cripps, the film eventually became a template for measuring social change. In , Gone with the Wind was pulled from the schedule at the Orpheum Theatre in Memphis, Tennessee after a year run of annual showings due to its perceived racially insensitive content.
One of the most notorious and widely condemned scenes in Gone with the Wind depicts what is now legally defined as " marital rape ". Molly Haskell has argued that nevertheless, women are mostly uncritical of the scene, and that by and large it is consistent with what women have in mind if they fantasize about being raped. Their fantasies revolve around love and romance rather than forced sex; they will assume that Scarlett was not an unwilling sexual partner and wanted Rhett to take the initiative and insist on having sexual intercourse.
Gone with the Wind and its production have been explicitly referenced, satirized, dramatized and analyzed on numerous occasions across a range of media, from contemporaneous works such as Second Fiddle —a film spoofing the "search for Scarlett"—to current television shows, such as The Simpsons. Gone with the Wind , detailing the film's difficult production history.
Following publication of her novel, Margaret Mitchell was inundated with requests for a sequel but claimed to not have a notion of what happened to Scarlett and Rhett, and that she had "left them to their ultimate fate". Mitchell continued to resist pressure from Selznick and MGM to write a sequel until her death in Anne Edwards was commissioned to write the sequel as a novel which would then be adapted into a screenplay, and published in conjunction with the film's release.
Edwards submitted a page manuscript entitled Tara, The Continuation of Gone with the Wind , set between and focusing on Scarlett's divorce from Rhett; MGM was not satisfied with the story and the deal collapsed. The idea was revived in the s, when a sequel was finally produced in , in the form of a television miniseries. Scarlett was based upon the novel by Alexandra Ripley , itself a sequel to Mitchell's book.
British actors Joanne Whalley and Timothy Dalton were cast as Scarlett and Rhett, and the series follows Scarlett's relocation to Ireland after again becoming pregnant by Rhett. George [Cukor] finally told me all about it.
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He hated [leaving the production] very much he said but he could not do otherwise. In effect he said he is an honest craftsman and he cannot do a job unless he knows it is a good job and he feels the present job is not right. For days, he told me he has looked at the rushes and felt he was failing Gradually he became convinced that the script was the trouble David [Selznick], himself, thinks HE is writing the script And George has continually taken script from day to day, compared the [Oliver] Garrett-Selznick version with the [Sidney] Howard, groaned and tried to change some parts back to the Howard script.
But he seldom could do much with the scene So George just told David he would not work any longer if the script was not better and he wanted the Howard script back. David told George he was a director—not an author and he David was the producer and the judge of what is a good script George said he was a director and a damn good one and he would not let his name go out over a lousy picture And bull-headed David said "OK get out! From Wikipedia, the free encyclopedia.
Gone with the Wind Theatrical pre-release poster. Meade Jane Darwell as Mrs. In a confidential memo written in September , Selznick flirted with the idea of replacing him with Victor Fleming. Mayer had been trying to have Cukor replaced with an MGM director since negotiations between the two studios began in May In December , Selznick wrote to his wife about a phone call he had with Mayer: Retrieved January 12, A Survey 2nd ed.
Retrieved April 8, A Portrait of Hollywood in the s. Berkeley and Los Angeles: University of California Press. University of Texas at Austin: Archived from the original on June 2, Retrieved March 7, Retrieved January 16, Archived from the original on September 26, Girls Tested for the Role of Scarlett".
Archived from the original on January 5, Margaret Mitchell and John Marsh: Vivien Leigh — Letter from David O. Selznick to Ed Sullivan". Archived from the original on October 28, Dictionary of Literary Biography. The Movie and More. Memo from David O. Modern Library published White Columns in Hollywood: The Life and Legend of Louis B. A Celebration of Gone with the Wind. Gone with the Wind on Film: The Filming of Gone with the Wind.
- Taken By The Wind by Charlotte Boyett-Compo.
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G With the W". Retrieved July 6, The Speed of Sound: Hollywood and the Talkie Revolution, — The Dame in the Kimono: Hollywood, Censorship, and the Production Code. University Press of Kentucky. The Invisible Art of Film Music: Retrieved January 25, The Life of David O.
Perspectives in American Social History. American Cinema in the s. History of the American Cinema. Supercolossal Saga of an Epic". The New York Times. Retrieved July 14, Selznick's Gone with the Wind. Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood.
Historical Dictionary of the s. Archived from the original on December 1, Retrieved September 28, Retrieved January 29, Retrieved February 1, The Nation published December 16, Archived from the original on February 24, Retrieved June 14, Gone with the Wind at the Gaiety". The Manchester Guardian published May 28, New York Film Critics Circle. Retrieved July 21, Academy of Motion Picture Arts and Sciences.
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